I am a Boston-based visual artist whose practice is rooted in conceptual inquiry—using research as both a foundation and a catalyst for visual exploration. Rather than simply documenting or capturing a moment, I treat photography as a means of investigating perception, resolving questions, and uncovering insights about the act of seeing itself.

My work engages with **phenomenology—the study of experience and perception—**to explore how we interact with images, objects, and spaces. Photography, for me, is not just a tool for representation but a way of questioning how we see and understand the world. In projects like 27 Seconds… The Aesthetic Encounter, I examine the fleeting nature of attention in museums, while Wavelengths reveals the hidden structures of light through photographic observation. Each project emerges from a structured inquiry, whether philosophical, scientific, or historical, and unfolds visually through the medium of photography.

I align my practice with research-based conceptual photography, where the image is not merely an end result but part of an ongoing investigation. This approach resonates with traditions of perceptual art, phenomenological photography, and exploratory conceptualism, emphasizing how photography can expose, deconstruct, and reframe the world around us.

Ultimately, my work seeks to challenge the boundaries between what is seen and what is understood. By engaging with light, time, space, and perception, I explore how images shape meaning—not just as objects to be viewed, but as experiences that reveal the nature of vision itself.